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Stompin’ n tappin’:

G

umdiggers at

Dancing Camp

A Kiwi sheep

shearer’s shed with

men dancing as

partners to Highland

music.

In researching the Gumtown area, we came

across an online article by key archeo-sleuth

at The Treasury, David Wilton. We learnt that

this remote gumdiggers camp, Dancing Camp,

was located just below the Pinnacles Hut site

in the Kauaeranga Valley. Of course, it was one

of many camps scattered through the valley

over the decades, of both Kauri bushmen and

gumdiggers.

Dancing Camp was thought to be established

around 1900, however, David says it is

possibly older than that; in view of the 1860s

commencement of gum-digging in the

Kauaeranga Valley. The camps moved up the

valley over time, as better tracks and access

roads were developed.

WHY THE NAME?

Auckland geologist Dr Bruce Hayward, author

of

Kauaeranga Kauri

(1978 p.18), states:

‘...the

original Dancing Camp ... got its name when

gum-diggers held buck dances (no women)

there around 1900.’

Scottish comedian Billy Connolly mentions this

in his

World Tour of New Zealand

series while

visiting the Pinnacles Hut by helicopter to film

the story. (Recorded in 2004, it is now available

on DVD). His commentary referred to the term

buck dancing as such:

‘Buck dancing is a folk dance that originated

among African-Americans during the era of

slavery. … The original buck dance, or “buck

and wing,” referred to a specific step performed

by solo dancers, usually men …’

Men dancing together in that era was common,

especially aboard ship. We located this

charming watercolour, above, of NZ sheep

shearers dancing together in their shed, to the

violin and autoharp playing Highland music.

MORE LIKE DANCING STUMP

!

Pete Hull, the warden of the Pinnacles Hut

(see previous page, often takes visitors to the

Dancing Camp site.One visitor wrote:

“Pete decided to show us one of his favourite

spots this morning – a huge kauri stump

4.2metres in diameter, near my campsite at

Dancing Creek Dam. Local lore has it that

during the heyday of kauri logging in the

valley, the men would gather at the spot

every few months for a party, and that this

huge stump, when polished up, served as a

dance floor for these gatherings – hence the

name Dancing Creek.

“He then pointed me up the secret track to

summit the peak behind the hut. A good wee

climb, and good to get some mountain-top

stoke to start the morning!”

Maybe Pete will show you around too, just ask.

-CW

26

COROMANDEL LIFE 2016 SUMMER/EASTER

W

hen we read that the origin of the dancing at Dancing Camp could

have come from America, indeed black slaves...that was rather a

stretch to imagine how it got here, halfway around the world. But it did!

Indeed buck dancing was a well-known dance of the period, performed

throughout New Zealand by the minstrel troupes from America, both the

white performers wearing blackface or black performers. Minstrel shows

toured Australia and New Zealand, and the format was even a favourite

for local drama clubs to perform.

The buck focused on the foot and lower leg action. It becomes more

elaborate and showy when the performer flails with leg and arm

movements – the buck and wing. The form kept developing into tap

dancing! As a treat, you can view

film

from the very era of the gum

Buck dancing

. . .

Where it came from

. . .

How it got here

. . .

See it performed

At a bluegrass music gathering in southern USA, dance champ Jay Bland

performed his fancy footwork, then “oh, here he comes!” was heard, and the

older champion, Thomas Maupin, showed him up.

See this video at

https://youtu.be/49tWpAgDq8w

Buck dancing at Mabry Mill (USA)

Slaves dancing

near riverboat

and cotton

bales.

A rare 1894

Thomas Edison

film of black

dancers

performing a

“buck and wing”.

camps thanks to Thomas Edison, who filmed black performers in 1894.

Edison’s short clip is near the start of this program about the history of

the buck dance. See

www.kennedy-center.org/video/index/M5585

The buck dance also survived among America’s white settlers to the

South’s Appalachian Mountain region. It is still danced solo, on a

buckboard, and mostly by men as a good natured challenge dance. It is

related to the Irish clogdance and perhaps closer to what the gumdiggers

actually danced at the camp.

Simple

accommodations

for gumdiggers

at Dancing

Camp. Shelters

were often made

with what was

at hand, nothing

too permanent.

Diggers might

work solo or

team up in

camps.