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OUR TUI MAKES HISTORY

Charles Hursthouse, in his “New Zealand:

or; Zealandia, the Britain of the South”

(1857), observed in his ornithology chapter:

There are about fifty varieties of land

birds; and, as some are free and fine

songsters – and as others indulge in

great cry and clamour, they impart

considerable liveliness and animation to

the outskirts of the woods.

The most common and certainly the

most facetious individual of the ornithology, is the Tui (Parson-Bird).

Larger than the blackbird and more elegant in shape, his plumage

is lustrous black irradiated with green hues and pencilled with silver

grey, and he displays a white throat-tuft for his clerical bands. Parson

bird though he be, the Tui is no sullen anchorite mortifying the flesh.

He is a bird of the convivial rector order, fond of honey; and taking

tythe of all the fruits his rich living affords.

Joyous Punchinello of the bush, he is perpetually in motion. He can

sing, but seldom will; and preserves his voice for mocking others.

Darting from some low shrub to the topmost twig of the tallest tree,

he commences roaring forth such a variety of strange noises with

such changes of voice and volume of tone, as to claim the instant

attention of the forest. Should another Tui chance to be near, he at

once flits down for a sham fight; throws a somerset or two, and then

darts into his bush, only to

come forth the next minute

with exhibition number two.

Caught and caged, he is still

the merry ventriloquist, mocks

cocks and cats, attempts the

baby, and has been known to

frighten a nervous little dog

off the premises. To add to

his merits, he becomes such

fine eating in the season of

poroporo berries, that an

alderman might quit turtle and

dare the seas to eat a tui stew.

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Cook describes it in 1773:

“The feathers of a fine mazarine blue.... Under its throat hang two little

tufts of curled, snow-white feathers, called its poies, which being the

Otaheitean word for ear-rings, occasioned our giving the name to the

bird, which is not more remarkable for the beauty of its plumage than for

the sweetness of its note. The flesh is also most delicious, and was the

greatest luxury the woods afforded us.’

The engraving above is one of the earliest European depictions of a tui

and was drawn during Captain Cook’s second voyage (1772 - 1775) by

Polish-born scientist Johann Reinhold Forster’s son Georg.

Christened by

Captain Cook the

poe-bird, this beloved

native bird is widely

known as ‘tui’, its

Maori name.

Early colonists often

referred to it as

the ‘parson bird’

because of its white

neck feathers and

‘sermonising’ habits.

POE-BIRD

Keulemans, John Gerrard

1842-1912 -Tui or Parson

bird, adult and young. (Plate

X. 1888). Public domain.